Spiff posted: I find using 16 bpc eliminates all those problems.
Spiffy posted:Blow outs have to be tempered with careful opacity selection and blurring.
Spiffy posted:I find if I "need" to use Screen to get the effect "right", something's wrong in the lower layers, and a little tweaking will fix it.
Le Spifue posted:Add + eLin is probably the most correct, but I'm not so much concerned about doing it "right" as doing it without spending cash
Fruity posted:The best tool I've ever found for color correction is the Selective Color, but it's only available in Photoshop
-Spiff- posted:*sigh* Zap just spanked my previous argument. I hate it when that happens.
Il Spiffoso posted:I also hate demo versions... there's always a catch. "Note: eLin has a highly sophisticated tracking device built-in that automatically detects whether any money has been made from its use
Los Spiffos posted:LOL. Well, either it's watermarking or it isn't. This seems a rather bold statement though. See - if it's spy ware, there's no way I want it. *downloads*
Der Schipffer posted:I'll try to render a few things with it sometime to see if it's worth it for this kind of compositing. Obviously a lot can be faked.
-Spiff- posted: I usually use Linear Dodge - but I just did some tests with frames from this and could not discern a difference between in and add.