Amph "On your left." - Captain America (Brave New World)

Jabba's welcome to his opinion, folks- at the very least it provides an opportunity to reanalyze aspects of the film while trying to proving him wrong .

To be fair, that wasn't really from the press materials until much more recently. That was how people were classifying it's look and style from advanced previews and trailers- it just seemed to catch on with the actual marketing to the point where they included that description in recent weeks (I think that Assembling a Universe TV special a few weeks ago was the first one to overtly use it, AFAIK).

But they don't have to be sex objects first to be more. They can be treated as regular characters important to the story in ways independent of their body. If they're just running around trying to look sexy and badass (or doing so first and foremost before any actual character development), they might as well be a Bond girl or in a Synder film.

 

And making them more sexy/sexualized generally doesn't make them more 3 dimensional either.

 

It doesn't really make sense- it only helps sell the joke better as a standalone gag.

 

Though Cap has been unfrozen for 2 years now- maybe he's caught up on a lot of American references (he saw War Games!) and has moved into international ones in the belief that they may be of use during missions overseas.

And he does speak French after presumably spending a lot of time there during the war, so the modern culture of France and Britain might actually be of logical interest to Rogers.

That Kangaroo thing for the Aussies? Not so much .

In the end, the important thing is that Steve's list establishes Star Wars as a fictional idea that exists in the MCU, so that they can adopt the Ideaverse concept from Deadpool Killustrated (swapping out Deadpool for Thanos) and make Patton Oswald's crossover theory a reality!

 

Joke Translation:

Deadpool Killustrated- the middle entry of 3 miniseries where a Deadpool becomes possessed by some kind of dark entity and convinces him that the Marvel Universe has to end to free everyone from the constant cycle of death and suffering they endure for the comic book reader's entertainment. So he basically takes Deadpool's 4th wall awareness to a grim, psychotic, genocidal conclusion.

Ideaverse- after killing everyone in his Marvel Universe (and some Marvel comics editors from ours) failed to end it's existence, Dark Deadpool goes after the fictional literary figures (Holmes, Don Quixote, etc) that inspired characters in the Marvel Universe, believing that it would cut off their inspiration at the source. They are found as living entities in the "ideaverse".

(the third entry has Deadpool, believing that, since he alone is seemingly aware of their existence, that Deadpools must be the progenitor of all things and thus, every Deadpool must die across the multiverse- which eventually involves the real "616" Deadpool)

Anyways, since Marvel doesn't have the rights to Deadpool in movies, I swapped him out for a different bad guy.

And then there was Patton Oswald's epic, improv'd fillibuster he filmed for an episode of Parks & Recreation that went viral:



Which the Nerdist channel later animated:



And now you know.

 

Any excuse to embed the Patton video is really no trouble at all.

 

Whoops!