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Topic:
Total Film's 100 Greatest Directors Ever: 38. Roman Polanski
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Rogue1-and-a-half
Title: Manager: Amphitheatre
Registered:
Nov '00
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Date Posted:
11/1/07 12:02pm
Subject:
RE: Total Film's 100 Greatest Directors Ever - 95. George Lucas
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Spiderfan posted:
Rogue1-and-a-half posted:
Zaz posted: "Birth of a Nation is important the way Triumph of the Will is important. Their contibutions to technique are important to remember and understand, but it's hard to actually enjoy watching them, for obvious reasons."
Griffith made a lot of movies, and a whole lot more than "Birth of a Nation"
I wish people would stop talking about Birth of a Nation. It isn't that it's a racist film; it's that it's so dull.
It may be dull but its significant for its accomplishments. It was the first time that we saw a movie of this magnitude with many different storylines continuing simultaneously, an epic cast and the first feature length motion picture. Not to mention the laundry list of techniques it reinvented and improved...It really was the beginning of the modern feature.
Yes, I am distinctly aware of all that, but I could really not care less how groundbreaking you are if you can't make your story or characters interesting.
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Zaz
Title: Manager, The Ampitheatre
Registered:
Oct '98
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Date Posted:
11/1/07 12:15pm
Subject:
RE: Total Film's 100 Greatest Directors Ever - 95. George Lucas
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Not to you, perhaps...
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Spiderfan
Registered:
Mar '04
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Date Posted:
11/1/07 5:44pm
Subject:
RE: Total Film's 100 Greatest Directors Ever - 95. George Lucas
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Rogue1-and-a-half posted:
Spiderfan posted:
Rogue1-and-a-half posted: [quote=Zaz]"Birth of a Nation is important the way Triumph of the Will is important. Their contibutions to technique are important to remember and understand, but it's hard to actually enjoy watching them, for obvious reasons."
Griffith made a lot of movies, and a whole lot more than "Birth of a Nation"
I wish people would stop talking about Birth of a Nation. It isn't that it's a racist film; it's that it's so dull.
It may be dull but its significant for its accomplishments. It was the first time that we saw a movie of this magnitude with many different storylines continuing simultaneously, an epic cast and the first feature length motion picture. Not to mention the laundry list of techniques it reinvented and improved...It really was the beginning of the modern feature.
Yes, I am distinctly aware of all that, but I could really not care less how groundbreaking you are if you can't make your story or characters interesting. [/quote]
I am not sure thats really a fair assessment...You have to put it into context. Conveying characters is difficult in a soundless environment especially for us who are used to dialogue driven character development. And the pacing may be slow to us who live in a post MTV world where information is broadcast to us and absorbed at break-neck speed, but our ability to absorb visual information like that is far beyond what people were used to when this was made. I mean people saw a train drive towards the camera and ran screaming from a theater. We interpret the visual media faster with each generation. Its not that Griffith couldn't make it interesting, for the time it very much was. But despite how visionary he may have been there is no way he could have foretold how people would see his work nearly a century later. That doesn't diminish its significance. Its no different from Citizen Kane which is possibly one of the dullest films I have ever seen, but its contributions and techniques were earth shattering (hence why its often stated to be the Best Film of All Time).
I accept that you find it dull and really few people don't. But that doesn't diminish the work's importance.
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Palpateen
Registered:
Apr '00
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Date Posted:
11/1/07 10:05pm
Subject:
RE: Total Film's 100 Greatest Directors Ever - 95. George Lucas
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Lucas knows how to give the audience it's money's worth. He has showmanship skills that are second to none. That's why he's a great director. Moviemakin' aint brain surgery, it's all about entertaining people. And he's managed to do that very well for many years.
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Whatever happened to Yareal Poof?
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Spiderfan
Registered:
Mar '04
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Date Posted:
11/1/07 10:38pm
Subject:
RE: Total Film's 100 Greatest Directors Ever - 95. George Lucas
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Palpateen posted: Moviemakin' aint brain surgery, it's all about entertaining people.
While I understand your meaning, I think there is a certain value to artistic merit and an intellectual approach to "Moviemakin'".
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Rogue1-and-a-half
Title: Manager: Amphitheatre
Registered:
Nov '00
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Date Posted:
11/2/07 10:39am
Subject:
RE: Total Film's 100 Greatest Directors Ever - 95. George Lucas
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Spiderfan posted:
I am not sure thats really a fair assessment...You have to put it into context. Conveying characters is difficult in a soundless environment especially for us who are used to dialogue driven character development.
There are any number of great silent films that convey character; Steamboat Bill Jr, City Lights, Modern Times, The Phantom of the Opera.
Spiderfan posted: And the pacing may be slow to us who live in a post MTV world where information is broadcast to us and absorbed at break-neck speed, but our ability to absorb visual information like that is far beyond what people were used to when this was made. I mean people saw a train drive towards the camera and ran screaming from a theater. We interpret the visual media faster with each generation. Its not that Griffith couldn't make it interesting, for the time it very much was. But despite how visionary he may have been there is no way he could have foretold how people would see his work nearly a century later. That doesn't diminish its significance. Its no different from Citizen Kane which is possibly one of the dullest films I have ever seen, but its contributions and techniques were earth shattering (hence why its often stated to be the Best Film of All Time).
I happen to think Kane is very dense, very textured and absolutely fascinating. It is not at all dull because the characters are so finely sketched as to be psychologically interesting today and (I think) probably still will be a hundred years from now.
All this to say that I am not biased against either slow pacing or silent film as a medium. And I still find Birth of a Nation hugely dull.
Spiderfan posted: I accept that you find it dull and really few people don't. But that doesn't diminish the work's importance.
True and if all I looked for when I watched a movie was how 'important' it was, I suppose I'd love it. And I think that is all some people look for. But I look for more.
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Spiderfan
Registered:
Mar '04
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Date Posted:
11/5/07 12:08am
Subject:
RE: Total Film's 100 Greatest Directors Ever - 95. George Lucas
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Rogue1-and-a-half posted: There are any number of great silent films that convey character; Steamboat Bill Jr, City Lights, Modern Times, The Phantom of the Opera.
All great films, but all great films that improve upon BoaN to some degree or another.
Rogue1-and-a-half posted: True and if all I looked for when I watched a movie was how 'important' it was, I suppose I'd love it. And I think that is all some people look for. But I look for more.
True the value of a film is more than just its historical importance but the work of a director is often valued not only on its artistic merit and level of entertainment but by the influence and inspiration it had on the craft as a whole. Its hard to find a director who better influenced his craft and for the period they were in or the craft as a whole than Griffith as he took film to a whole new level. BoaN is cited as his shining example when there are others worth noting as well.
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Rogue1-and-a-half
Title: Manager: Amphitheatre
Registered:
Nov '00
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Date Posted:
11/5/07 11:29am
Subject:
RE: Total Film's 100 Greatest Directors Ever - 95. George Lucas
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Spiderfan posted:
Rogue1-and-a-half posted: There are any number of great silent films that convey character; Steamboat Bill Jr, City Lights, Modern Times, The Phantom of the Opera.
All great films, but all great films that improve upon BoaN to some degree or another
Improve on it so much as to be in an entirely different stratosphere.
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Jango10
Registered:
Sep '02
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Date Posted:
11/21/07 7:30am
Subject:
RE: Total Film's 100 Greatest Directors Ever - 95. George Lucas
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94. Wong Kar-Wai
The last romantic
“We love what we can’t have,” Wong says. From Days Of Being Wild to In The Mood For Love, his world of romantic rhapsody and missed opportunity swoons to the tune of isolating desire. As pale and interesting characters mope and smoke, extravagant colours and lush music shudder in key. Intuition is his method: having written for TV and the derivative Hong Kong film industry, Wong set his form by making zippy breakthrough Chungking Express, on the hoof. Famously, it made Tarantino weep. This is cinema of the moment: you need to feel it.
Picture perfect 2046. The look of love…
Never heard of him.
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Zaz
Title: Manager, The Ampitheatre
Registered:
Oct '98
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Date Posted:
11/21/07 8:09am
Subject:
RE: Total Film's 100 Greatest Directors Ever - 94. Wong Kar-Wai
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I'm beginning to wonder if Jean Renoir even made this list.
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General_Dodonna
Registered:
Feb '05
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Date Posted:
11/21/07 8:49am
Subject:
RE: Total Film's 100 Greatest Directors Ever - 94. Wong Kar-Wai
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Wong Kar-Wai is an extremely accomplished visual stylist, but one who has also been criticized (occasionally rightly, but mostly not) for valuing said style over substance. The period between 1991 and 2000 was an extremely fertile one for Wong, including such features as DAYS OF BEING WILD, CHUNKING EXPRESS, ASHES OF TIME, FALLEN ANGELS, HAPPY TOGETHER, and IN THE MOOD FOR LOVE. The last of which is easily the most stylized of the bunch, and is a film that few understand. It's been mocked as a ninety minute Calvin Klein ad, but what few are willing to recognize is that the film is, for all intents and purposes, a silent. Wong's style externally articulates the internal emotions of his characters, leading to a moving and beautiful catharsis in the film's final reel. A haunting, poetic, and justifiably praised work of art whose artfully suppressed eroticism ranks up there with the early sound features of von Sternberg.
Of course, things seem to have slipped off the rails thereafter. His follow-up feature, a sequel of sorts, 2004's 2046, is a bloated, messy, and confusing film. There, Wong's visual style does little to articulate anything, and the film, for all of its beauty (and indeed, it is very sumptuously photographed by Wong's longtime collaborator, the cinematographer Christopher Doyle), fails to convey anything in the way of emotion or poignance.
Still, Wong, along with Jia Zhang Ke, Hou Hsiao Hsien, and the recently deceased Edward Yang, is among the masters of contemporary Chinese-language cinema. Given who's ahead of him on this list (including the vastly overrated Peter Jackson; a man whose oeuvre doesn't even begin to compare to Wong's staggering body of work), this ranking seems awfully low, even for these guys.
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soitscometothis
Registered:
Jul '03
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Date Posted:
11/22/07 7:37am
Subject:
RE: Total Film's 100 Greatest Directors Ever - 94. Wong Kar-Wai
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I'm a big fan of Chunking Express. Fallen Angels is weird but good, In The Mood For Love I found a little depressing, while 2046 was kind of a mess, but one I enjoyed (I love Ziyi Zhang, and Tony Leung is very cool).
I think he's an interesting film-maker, and he knows how to recruit talented people for his projects.
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darth_frared
Registered:
Jun '05
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Date Posted:
11/22/07 7:54am
Subject:
RE: Total Film's 100 Greatest Directors Ever - 94. Wong Kar-Wai
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i loved chungking express!!!!! i haven't seen it in ages but i fondly remember it. very romantic and urban. in the mood for love is a very different ballgame, really a silent movie, what with the prominent use of music and camera.
and then tony leung
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KissMeImARebel
Registered:
Nov '03
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Date Posted:
11/22/07 12:58pm
Subject:
RE: Total Film's 100 Greatest Directors Ever - 94. Wong Kar-Wai
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I've seen In the Mood for Love and 2046. I'm strangely getting a large blank space in my brain attempting to remember much of the latter, which can't be a good sign, but I remember that I didn't dislike it. I really enjoyed In the Mood for Love though - definately superior of the two. My impression is that his films are more about feelings than narrative - like poetry. I think in 2046 it just maybe got lost in the poetry - it wasn't really telling me anything - there was no message.
I'd really like to see more of his work though.
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Jango10
Registered:
Sep '02
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Date Posted:
11/28/07 2:38pm
Subject:
RE: Total Film's 100 Greatest Directors Ever - 94. Wong Kar-Wai
- Date Edited:
11/28/07 2:59pm (1 edits total)
Edited By:
Zaz
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93. Alan J. Pakula
The conspirator
Already a successful producer by the time he hoisted the megaphone, Bronx-born Pakula proved a dab hand at voicing American anxieties in the Watergate era. But such was the impact of his “paranoia trilogy” – Klute, The Parallax View and seminal drama All The President’s Men – his later works (The Pelican Brief, Presumed Innocent) seemed trifling by comparison. Or were we missing something? “I am oblique,” he said just before his 1998 death. “I like trying to do things which work on many levels...”
Picture perfect All The President’s Men. Paper victory.
The only film I've seen of him is The Pelican Brief.
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