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ST Palpatine "Gran Palpa" Discussion Thread

Discussion in 'Sequel Trilogy' started by Pro Scoundrel , Jan 3, 2020.

  1. Daxon101

    Daxon101 Force Ghost star 6

    Registered:
    Jan 7, 2016
    I suspect the reason he wasn't fully formed is to say that 1 clone alone was difficult to produce. I'd guess if they could produce a better clone of Palpatine, he wouldn't be a zombified mess. My guess is that was the cache on his survival.

    To be fair, i think the idea is that his resurrection after the force drain made him more powerful. Since he shot lighting into the sky a few moments earlier. so presumbably he vaporized himself because of how powerful he was at that time.
     
  2. Darth PJ

    Darth PJ Force Ghost star 6

    Registered:
    Jul 31, 2013
    We don't know because it's never explained or rationalised in the film. Maybe he was the 5th clone of Palpatine... or maybe even the 1st, who'd lived for circa 30 years, but had degraded over the previous 30 years? Maybe he'd been cloned straight into the 90 year old version of himself? Point is, IMO, they never thought it through... and in reality, fans have spent longer trying to make sense out of it than Abrams ever did.

    I agree that the dyad made him potentially stronger... which is a bad concept in and of itself (does Abrams only know how to 'develop' characters by them being 'levelled up'?)... but that should also (by virtue) make him less easy to kill... Not just that, but Palaptine has been through this before right? Has he learnt nothing? Does more power = more stupid?
     
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  3. HevyDevy

    HevyDevy Force Ghost star 5

    Registered:
    Apr 13, 2011
    Fwiw I got the impression it wasn’t just the lightning being reflected back but also the Skywalker sabers charged by Rey and the past Jedi. I say this because the lightning keeps coming from her sabers for a few seconds after he stops shooting lightning, and the fact Rey gets up for the last deed then dies… to me illustrates she was on borrowed power to even be able to do this after earlier being drained.
     
    Last edited: May 16, 2022
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  4. HevyDevy

    HevyDevy Force Ghost star 5

    Registered:
    Apr 13, 2011
    Palpatine’s state of semi-aliveness made sense, as others have suggested.
    If he had to be brought back, the body not being able to fully contain him was the way to go.
     
    Last edited: May 16, 2022
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  5. wreath

    wreath Jedi Padawan star 2

    Registered:
    Aug 21, 2021
    yeah
     
  6. Darth PJ

    Darth PJ Force Ghost star 6

    Registered:
    Jul 31, 2013
    But by that logic Rey, or any future Jedi protagonist, can just get their sabre charged by all the Jedi and smite their enemies down.. be it Sith Lords, crime syndicates or Death Star's. I'm in no doubt that Abrams intention was to show Rey channeling God like powers from the Jedi, but the point is that it's not underpinned by internal logic... and more specifically, there's nothing established to state that Rey channeling these powers definitively means that Palpatine could never return... after all, the Chosen One could not guarantee that... it just took a poor filmmaker to decide that Palaptine had somehow returned.
     
  7. Sauron_18

    Sauron_18 Force Ghost star 5

    Registered:
    Apr 1, 2005
    I think that showdown’s leaps of logic were made to solidify this movie as the end of the Skywalker saga.

    The filmmakers wanted to have the last word on the conflict of Jedi and Sith by having those two characters represent the entirety of the two orders, and the sides they represent, and showing the light winning in the end.

    It’s not graceful storytelling in execution, but it does tie to the movie’s theme of legacy and connecting with one’s heritage/ancestors as a way to fully come into being as a new generation. So there was some setup there that also ties to wider themes in the sequels.

    But I don’t love the execution, nor do I think it comes even close to how well Return of the Jedi did this. It was the same concept thematically, but Return just worked on many more levels. It was personal and quiet and focused, yet it contained the power to serve as a perfect emotional and story climax to the movie and the series. And it didn’t require any leaps in logic or storytelling shortcuts. It felt more logical and organic.
     
    Last edited: May 17, 2022
  8. Jid123Sheeve

    Jid123Sheeve Guest

    Yeah but let's face it...Star Wars fan don't care about execution or Graceful storytelling.
     
  9. HevyDevy

    HevyDevy Force Ghost star 5

    Registered:
    Apr 13, 2011
    I don’t get what you mean?
     
  10. godisawesome

    godisawesome Skywalker Saga Undersheriff star 6 Staff Member Manager

    Registered:
    Dec 14, 2010
    I think they deeply care about execution and graceful storytelling... but their general evaluation is centered far more on whether the character arcs are strong on a conceptual basis in the script, and how well the story manages it's dramatic rising action and climax for the larger story , while professional film critics (some with contempt for the series) care more about how well placed the camera is, how perfected the final takes were to achieve the director's vision with the acting being reduced to more of a technically perfect performance, and immediately dismiss the value of the drama for being more "heroic" and "adventurous" rather than the cynical and tongue-in-cheek style they'd prefer.

    The OT had good technical execution but much better character arcs and a lethally good dramatic rising action and climax, especially for ROTJ as part of the previous film's narrative

    The PT struggled with the technical execution aims, but Lucas again had superior characters and lethally good drama in execution, especially, again, for the third film in ROTS as the conclusion to the previous films' narratives and as a bridging story to the OT.

    The ST excels in the technical sense - the camera is always well placed, and especially in TLJ, the acting is reduced to a perfect example of Rian Johnson's specific vision even when the actors aren't "feeling" it and neither will a good chunk of the audience. But in terms of executing character arcs and nailing multi-film drama, it was an abysmal failure, in part because the cynicism and tongue-in-cheek deconstruction from TLJ made a multi-film climax in Episode IX an impossibility. TROS then becomes a pale imitation of ROTJ because being a pale imitation is all that's left.
     
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  11. Daxon101

    Daxon101 Force Ghost star 6

    Registered:
    Jan 7, 2016
    It took fans ages to appreciate the storytelling of the PT. Because people often were spiting it for not being what they wanted it to be.
     
  12. BigAl6ft6

    BigAl6ft6 Chosen One star 8

    Registered:
    Nov 12, 2012
    Palpatine in TROS is the Cheat Death Code version, dark side and unnatural, which is he looks so messed up. I don't see anything that implies that he's done it before or would be able to do it since (because he starts the movie looking arguably worse off in TROS than he looks in the PT or the OT). There's the added bonus that Rey and all the Jedi are striking down Palpatine and all the Sith. Unless they start making movies set past this time period, he's meant to be destroyed.
     
    Last edited: May 19, 2022
  13. DarkGingerJedi

    DarkGingerJedi Chosen One star 6

    Registered:
    Nov 21, 2012
    Unfortunately, once you use the cheat death code...you can always use it again. That's the problem with digging up the dead, desperately, as a last resort.
     
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  14. Nobody145

    Nobody145 Force Ghost star 5

    Registered:
    Feb 9, 2007
    Not like they ever explained how Palpatine came back- just dark science, unnatural abilities, secrets that only the Sith knew, so there's nothing to say this death will be any more final than the last one. If they had shown something like a special artifact or location or ritual that brought him back they could have more definitively written him out, but not like they care about that.

    He was meant to be destroyed during RotJ, and we've seen how much the sequels respected that plot point, so no reason to expect they'll leave Palpatine alone when they write themselves into another corner.
     
    Last edited: May 19, 2022
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  15. Vasco_Rojo

    Vasco_Rojo Jedi Master star 2

    Registered:
    Apr 21, 2016
    Nice explanation of how TLJ affected the overall arc of the ST, including climax of episode IX and sense of fulfillment. What a wasted opportunity to miss the development of a master plan.


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  16. Vasco_Rojo

    Vasco_Rojo Jedi Master star 2

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    Apr 21, 2016
    Storytelling was good, the execution was flawed. George focused too much on the visual effects, having this time access to more technical capabilities to realize his vision, unlike in the OT. But he lost his touch in the scripting and cast performance. PT has some of the most forced lines and non convincing performances of the saga (in my opinion).


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  17. DarkGingerJedi

    DarkGingerJedi Chosen One star 6

    Registered:
    Nov 21, 2012
    Yeah. There was actually a PT story at the core to appreciate in value over time. Some fans - I suppose - have managed to overlook the dialog and the screenplay, and can enjoy the narrative over three movies, as well as, the era, and how it connects to the OT. And no matter how 'bad' the PT may be, it doesn't ruin the OT characters.

    I think this is largely fundamentally impossible for the ST. For while they took great care with the dialog, the acting, the effects, etc, they forgot the story. And for many fans, the beloved OT characters lay in ruins.

    End of day, the ST is not the PT. Just because one - in theory - has aged well, doesn't mean the other will.
     
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  18. Darth PJ

    Darth PJ Force Ghost star 6

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    Jul 31, 2013
    I'm having difficulty reconciling the view that the ST is better written, acted or directed than anything TBH... I believe the ST is pretty meagre on all those levels. I do think the PT has more examples of stilted dialogue and delivery... but not sure that objectively equates to inferior... although it's certainly more apparent. I find most of the dialogue in the ST to be less stilted, but largely non-sensical and not serving a wider story/narrative... "somehow Palpatine has returned" kind of summing up the ST for me. I do think the ST's dialogue tends to have more purposely light wight/funny moments, which land better than the comedic moments in the PT, which were more visually led than dialogue driven.
     
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  19. Daxon101

    Daxon101 Force Ghost star 6

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    Jan 7, 2016
    People who watch the PT for the first time today don't see the execution or dialogue issues that were criticized for so long once upon a time.
     
    Last edited: May 20, 2022
  20. godisawesome

    godisawesome Skywalker Saga Undersheriff star 6 Staff Member Manager

    Registered:
    Dec 14, 2010
    I think they do, provided they're old enough to make those kind of evaluations - part of the reason the PT remained more popular with Millennials is because kid Millennials were naturally going to pay attention to the bigger picture over the details in execution, which was the PT's strength, while Gen X began mocking it because they were going to pay more attention to the details in execution. But since most people who are going to watch them for the first time now are going to be kids, they're going to fall in love with the bigger picture first, and once that happens, the details in execution will never really bother you.

    The thing is, ultimately the details in execution don't matter nearly as much as the larger story and bigger picture being strong.

    It's the opposite of the ST's problem, where the bigger picture is contradictory and self-defeating no matter how well the director made sure to get his actors to say his dialogue.

    It's why the students I teach, who were the perfect age for a new Star Wars trilogy, are so apathetic and uninterested in the ST, and when they do talk about the PT, are still more excited and don't care about the dialogue - the PT rewards long term investment and imagination, while the ST punishes it.
     
  21. Daxon101

    Daxon101 Force Ghost star 6

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    Jan 7, 2016
    The PT is far more exciting in general. Its dated badly for OT nostalgia but has actually dated well by todays bright and coulorful standards.

    But then people who watch the 3 ST film for the first time won't have enough time to set their own standards. As many people today with the PT. They won't feel any ownership over where the next part goes.
     
  22. Darth PJ

    Darth PJ Force Ghost star 6

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    Jul 31, 2013
    I'm not even sure it's so much that the 'details in execution don't matter nearly as much', but that they have been over exaggerated to the point that some believed the hyperbole... and I fully acknowledge that can be applied to the ST too (although I wouldn't agree of course).

    I watched TPM last weekend (as part of the run up to Obi-Wan), and I haven't watched it since the 4K versions first came out... but I was struck at how engaging the film actually was (it's never been my favourite)... and how inoffensive, and actually sweet, Jake Lloyd was... how good Neeson is as Qui-Gon... how Maul actually makes for a tangible threat etc. etc. There's still some very stilted dialogue and delivery (and if I were Lucas I would have edited out about 30 mins), but it's still a 'good' SW film IMO.
     
    Last edited: May 20, 2022
  23. godisawesome

    godisawesome Skywalker Saga Undersheriff star 6 Staff Member Manager

    Registered:
    Dec 14, 2010
    To be honest, I think TPM caught some extra flack bouncing away from AOTC after 2002, while TPM's biggest stumbles were Gen X fans angry at seeing sweet young Anakin as a concept and Jar Jar being a kid appeal character. AOTC suffers far more form stilted dialogue and delivery, and might reflect back on TPM when it forms a pattern in that film. Neeson, like a lot of the British actors in the PT, seems to know how to switch into a more theatrical delivery for certain types of dialogue, while I think Christensen didn't have that nailed until ROTS.
     
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  24. Daxon101

    Daxon101 Force Ghost star 6

    Registered:
    Jan 7, 2016
    While the PT hate has fairly washed away, you do tend to get the odd article like this, which feels very outdated now. But it certainly is abit of a flashback

    It's Time to Forgive Hayden Christensen for the Star Wars Prequels
    https://time.com/6177355/hayden-chr...tm_term=entertainment_movies&linkId=165937857
    Now on twitter there is a huge amount of support AGAINST this article. But once upon the time, that wasn't the case.
     
    Last edited: May 20, 2022
  25. TaradosGon

    TaradosGon Manager Emeritus star 5 VIP - Former Mod/RSA

    Registered:
    Feb 28, 2003
    I would still have a hard time sitting through the prequels. I feel like there were a lot of grand ideas and neat concepts, but I don’t think Lucas got the best performance out of his actors.

    I’ve not seen Hayden or Ian in anything outside of Star Wars, but Ewan, Liam and Natalie I all think are great, in OTHER films. TPM and AOTC in particular I think are very stiff, so much so that when Anakin has his outbursts it almost feels out of place to me when juxtaposed against the other performances and dialogue.

    RotS is the only one I found genuinely good from a performance standpoint, but it just feels rushed.

    The sequels on the other hand I think is the other side of the coin. I think the performances are largely excellent. Its the story that meanders too much and leaves much to be desired. Force me to choose either trilogy to watch all the way through and I’ll choose the sequels more often than not. I might wine and complain about what are IMO ridiculous creative decisions, but Im not bored by them. Even if Im frustrated or rolling my eyes, I’m at least engaged.

    With the prequels I felt like what drew me in the most was the world building and all of the EU that surrounded the prequels, not the films themselves.


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