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ST Rey Skywalker/Daisy Ridley Discussion Thread

Discussion in 'Sequel Trilogy' started by Pro Scoundrel , Jan 3, 2020.

  1. Daxon101

    Daxon101 Force Ghost star 6

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    Jan 7, 2016
    My belief was that it was never about prettying him up, i think it was about showing him as just a regular guy. like i said previously in my theater people laughed when he took his helmet off. and i think its because he just looked like a kid. he doesn't quite match the deep tone of menace the helmet gave him. and he didn't look very confident as a villain either. he looks nervous and i think that was intentional.

    Adam driver isn't an ugly guy. and Hollywood likes to have good-looking people involved. so naturally he looks how he looks.

    I know people like to bring up the hair looking so good after he takes his helmet off. but have you seen the Mandalorian? Their hair is always maculate after they take the helmets off. well apart from once when they needed Mando to look beaten up.
     
    Last edited: May 1, 2021
  2. godisawesome

    godisawesome Skywalker Saga Undersheriff star 6 Staff Member Manager

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    Dec 14, 2010
    It's interesting, because if we’re talking about Abrams having unconscious influence on his work, I think I’d argue the reason why Kylo’s interest in Rey is emphasized *isn’t* as likely to come from a Beauty and the Beast story, but instead from the “creepy stalker trying to assault her” subtext that many of us saw blatantly displayed in TFA.

    I mean, the audition that Ridely won the role on was the one of being tortured/violated by the villain, and I’d have to argue that her reaction in the movie scene and the sheer effort and power she put there implies *that* was meant to be our focus, her pain, fear, and sense of violation, not Kylo being interested in her.

    Even if Abrams may have unintentionally invoked some Beauty and the Beast story, I’d say it be hard to argue he wasn’t intentionally invoking a “defense against a creepy as hell stalker trying to sexually assault her” story a lot more.

    And to add to that...
    Okay, so there’s strong implication that Driver wasn’t really Abrams’s choice, but rather Kennedy and LFL’s. But if we set that aside to come back to it later...

    ...I’d say that Boyega is closer to the “type” of attractiveness that Ridely has, and is genuinely closer in age as well. Driver is well know for being an “unconventionally” attractive man, while Boyega and Ridley are both conventional (barring, of course, racism.) But adding to that, we know that Finn largely exists at Abrams and Kasdan’s insistence as Rey male lead - that if Abrams and Kasdan wanted Driver to be playing the male lead (and thus Rey’s most likely “suitor” if she wound up with one), then they wouldn’t have split the “Sam” character up, Abrams wouldn’t have cast Boyega, and the chemistry between Boyega and Ridley wouldn’t have been so valuable Abrams abused reshoots to get it on camera.

    So again, while I can see the idea of Abrams unintentionally or subconsciously doing some “Beauty and the Beast” archetypes... I’d say TFA shows a lot more signs of him actively trying to circumvent and reject that, and to offer up an alternative if there ever was a romance for Rey.

    I’d say it’s more plausible that Abrams was practicing “anti-sexism” with deliberate, active choices going that way, so much so that they should be regarded as more pertinent than whatever “male privilege” snuck in alongside the possible Beauty and the Beast story.
     
  3. sian1965

    sian1965 Jedi Master star 4

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    Apr 26, 2020
    I actually thought the chemistry between Finn and Rey more like that between brother and sister, perhaps because they're close friends i real life.

    Interesting fact - the age gap between Rey and Kylo is the same as that between Han and Leia in the OT.
     
  4. JoJoPenelli

    JoJoPenelli Chosen One star 6

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    Aug 14, 2000
    Brothers don’t ask sisters if they “have a boyfriend - a cute boyfriend?”

    Actually they retconned Han’s age to be 32 in ANH - same as Poe’s in TFA.
     
  5. Darth PJ

    Darth PJ Force Ghost star 6

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    Jul 31, 2013
    To be honest I see nothing in the film, or in any interview/quote, that leads me to believe that Abrams was *intentionally* wanting to characterise Kylo Ren as some sort of sexual deviant (which is what's implied when we talk about "creepy stalkers")... which isn't to say that he doesn't come across as being a creepy stalker figure, he kind of does..., but I think this is more a consequence of poor characterisation, rather than it being something Abrams wanted to portray specifically. I do think Abrams does set up Kylo Ren as being a handsome 'fallen prince', which is underlined in the Max Von Sydow dialogue. I obviously don't have any first hand information re. what Abrams' intentions were re. Kylo, but the 'transforming nature of love' that is personified in the story of Beauty and the Beast is somewhat cliche now... so it's quite easy to tap into that cliche, even if one is not aware of the origin/source material. It's something I first thought when watching TFA for the first time, and I think it kind of played out in TROS with Kylo's redemption and the 'kiss'...

    Wasn't he? I didn't know that. I would be interested to know whom Abrams had in mind....

    I don't know? Driver seems like a good looking bloke to me... and he certainly seems to have many admirers, but yes, he's not a Brad Pitt (or similar). However, as with the OT, it seems to me that by casting 3 leads of a similar age, and similar physical attractiveness, there's a deliberateness in making them relative peers... and that's usually cinematic shortened for friends and/or lovers.

    As I say, I have no idea what Abrams' true intentions were, subconscious or not... this is just about interpretation of the material. All I can say is that when I watched TFA for the first time, it seemed fairly obvious to me that Abrams was setting up a 'Kylo Ren will be redeemed by Rey's love' story... And at the time, I thought that was either being set up as a 'love' of siblings or a romantic love. And given that Abrams decided to make Rey a Palpatine (although it seems that the comics may be looking to make her a Skywalker after all), and that Kylo is redeemed by Rey, and they share a romantic kiss, that this is what Abrams indeed alluded to in TFA. But obviously that's just my interpretation of the films.
     
  6. godisawesome

    godisawesome Skywalker Saga Undersheriff star 6 Staff Member Manager

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    Dec 14, 2010
    I think you may have missed my argument that the very fact there are *3* human leads rather than *2* is the biggest implication I have that Abrams likely wasn’t thinking of a Reylo romance in TFA; if Abrams’s goal was to set up a story where Rey falls for Kylo, than he wouldn’t have created Finn, prioritized Rey’s chemistry with Finn, fought to cast Boyega in the role, and then so poisoned the way to Reylo. So my biggest argument against Abrams seeking Reylo in TFA is basically just Finn’s existence, flat out, and the brutality he had Kylo commit on Rey. Doesn’t mean that he was pursuing a romance arc between Rey and Finn, but that if he was pursuing a Rey and Kylo romance, than he likely wouldn’t have created a new male character who’s whole point was that he had a positive relationship (and attraction) to Rey, or made a story where the only way to view romance between Rey’s and Kylo is by embracing some sexist tropes.

    Like, we all know Abrams isn’t that complicated. His strengths as a writer are in fairly direct character writing, while his weaknesses are around mystery boxes and original material. But he has written multiple female heroines before, and thus far, Rey is the only one who ends up with a “romance’ that only works if you embrace sexism in it - because in general, Abrams has been savvy enough to recognize most obvious pitfalls and avoid them.

    Even TROS doesn’t speak to any “desire” on his part for a romance between them that Rey would use to redeem Kylo. The concept of Dyad as the reason behind the bond comes off as Abrams looking at both TFA and TLJ and saying “Nope, no good reason to have them like each other organically.” He flat out didn’t have Rey redeem Kylo, but Leia and Han. And he filmed a take of the two characters not kissing, thought the one with the kiss wound up in the final film. None of that would be so hesitant and cold on the idea if he shared Rian Johnson’s well-known preference for the Reylo pairing.

    I’m much more inclined to think Abrams wrote TFA thinking that either Rey and Kylo would have a relative-connection revealed, or just be enemies, and that LFL bought into Johnson’s idea and made Reylo one of their demands on Abrams for TROS. And I *do* think the sexual assault subtext of the interrogation scene in TFA is intentional; there’s too many red flags in it for him to have accidentally down that.
     
  7. JoJoPenelli

    JoJoPenelli Chosen One star 6

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    Aug 14, 2000
    Adam literally sitting in front of the camera saying JJ intended Kylo to be “reverse OT Vader” who got more and more evil is proof enough that JJ never intended Kylo to be Rey’s love interest.

    Then again, reylos seem to like to pretend that video doesn’t exist. Despite being in the TROS bts documentary.

    ETA: Both Daisy and JJ called the interrogation scene “torture.” That, too, is cut-and-dried.
     
    Last edited: May 2, 2021
  8. Darth PJ

    Darth PJ Force Ghost star 6

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    Jul 31, 2013
    But that assumes that Abrams had everything worked out... which of course he didn’t. I think he just presented options that *could* be progressed in the next films. I don’t think he was married to any one idea... which is part of the problem, but it doesn’t mean he didn’t have a preference. That he cast 3 leads is only what Lucas did in ANH, and in doing so, presented 2 potential love interests that could play out as a love triangle. But obviously the biggest factor in determining Abrams intentions is TROS. He chose not to have Rey and Finn be romantically involved. He chose to have Kylo redeemed and for Rey and Ben to share a romantic kiss. Now of course it isn’t a fairytale ending, given that ‘the handsome Prince’ dies, but he is ultimately transformed through love.

    As per above, I think Abrams was presenting options, neither exclusive to the other. Finn’s existence is no more evidence of Abrams not wanting a Reylo dynamic, than Kylo Ren’s existence is evidence of Abrams not wanting a ‘Finney’ or ‘Reyinn’ (whatever the suitable word would be) dynamic... but that one seems to take prominence over the other in TROS is the biggest takeaway for me.

    I can’t agree. His Star Trek films are full of really sexist tropes IMO. Enough to tell me that positioning a character dynamic, where a woman falls for her abuser, wouldn’t be an issue for him... like at all. I don’t even think it would be on his radar when he so readily reduces young woman to panties and bra shots.

    But he still opted for a Rey and Kylo kiss, thus cementing ‘Reylo’ as a truism of the ST.

    Yes - like I said, I think Abrams was creating an option for either a sibling or romantic relationship. I’m not sure he was committed to any single idea, which is part of the overall issue IMO... but that doesn’t mean that the possibility of a Rey and Kylo romance wasn’t something he deliberately built into TFA, just as it could have easily been a brotherly/sisterly relationship that transpired if Johnson had gone that route.
     
  9. Darth PJ

    Darth PJ Force Ghost star 6

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    Jul 31, 2013
    Given that Abrams actually made two out of the three SW sequels, it’s kind of funny that people pretend that Abrams didn’t have the option of taking that idea of ‘Kylo getting more and more evil’, and playing that out in TROS... which of course he didn’t. He redeemed him. So Kylo is categorically *NOT* the reverse of Anakin/Vader. He’s the feckin same... That’s on Abrams... [face_laugh]
     
  10. Daxon101

    Daxon101 Force Ghost star 6

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    Jan 7, 2016
    [​IMG]

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    Last edited: May 2, 2021
  11. godisawesome

    godisawesome Skywalker Saga Undersheriff star 6 Staff Member Manager

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    Dec 14, 2010
    The catch with TROS is that nothing about its production resembled the previous two productions when it comes to LFL’s involvement. TFA eventually became primarily Abrams and Bad Robot taking over much of the duties and producing their idea of the film. TLJ is well known to be the only film LFL thought went “the way it was supposed to” in regards to hiring an auteur director and letting him run the entire production through LFL.

    TROS, in contrast, was born from LFL finally expressing some executive veto power and repeatedly throwing out Colin Trevorrow’s ideas before firing him and bringing Abrams back in... but with demands and ideas they specifically wanted, if Terrio is to be believed, including arguably the biggest: Palpatine coming back. And I”d argue that of Palpatine coming back was an LFL demand, then we’re in a different ballgame than what Abrams had in TFA.

    Then you’ve got Boyega talking about studio interference, you’ve got Abrams’s lack of enthusiasm for talking about the film once it was out (which for a publicity friendly producer like himself is unusual) and trying to tell a kid that Rey and Kylo should be seen in a more platonic light, you’ve got stuff like Ridley clearly voicing her personal consternation with Reylo a year before release then shifting to a more diplomatic tone by the time release is there, the testified ongoing rewrites while shooting the film, and just the general fact that TROS is just as disconnected form TFA as it is from TLJ.

    I mean, we’ve seen how a lazy, unoriginal but committed writer would handle Rey and Kylo in romance - that’s what TLJ ultimately is. But TROS is dancing around it for most of its runtime, and insisting on magic, agency-removing reasons for it, while *not* making Rey’s “redeeming love” save Kylo, and while Abrams was serious enough about trying to avoid the kiss to film a cut without it.

    And just flat out, the difference between Abrams’s usual “horny teenager” sexism and the way TLJ tried to create Reylo is astronomical. That’s my biggest reason to think that Abrams had no intention of a romance in TFA: reading TFA’s scenes as a romance requires a ludicrous (though sadly not unsurprising) amount of total disconnect and apathy towards Rey. And clearly, Abrams didn’t have that kind of disconnect or apathy towards Rey, because even at worst, he valued her as the film’s primary asset.

    Everything about Reylo smells like it originates from Johnson and LFL, simply because I don’t think that anyone interested in Rey even in the most bluntly financial sense would endorse Reylo the way LFL has.

    I’d say it’s much more likely TROS’s Reylo elements are LFL making demands.
     
  12. JoJoPenelli

    JoJoPenelli Chosen One star 6

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    Aug 14, 2000
    I think there might be some confusion re who ultimately controls a movie. I thought the Snyder cut saga would have made this clear to the average fan online, but apparently not.

    When a director is hired by a studio to make a franchise movie, he does not get “final cut.” He is an employee, with bosses. If the studio wants X, the director does X. If the studio wants reshoots, rewrites, stuff cut, stuff added, it gets what it wants.

    This is why, for example, the unmitigated RJ hate is absurd - ultimately, KK and - most of all - Disney was running the show.

    But I think folk find it easier to hate on personalities - like directors - than corporate suits.
     
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  13. Daxon101

    Daxon101 Force Ghost star 6

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    Jan 7, 2016
    Thats because the director is the one guiding the story and alot of the ideas are from the director. Corporate suits certainly have a level of creativity, sometimes high and sometimes small, But ultimately there is a higher percentage thats the director's movie.

    For example we know the deathstar in the water was JJ's idea. it has been since TFA. and its also been said the dagger lining up with the wreckage was his idea. now some people say that was dumb because it wouldn't work that way. but that wasn't a Corporate suit. that was JJ Abrams.
     
    Last edited: May 2, 2021
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  14. sian1965

    sian1965 Jedi Master star 4

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    Apr 26, 2020
    According to what I read, Eddie Redmayne was also considered for the part.
    @JoJoPenelli ......Bloodline states that Leia was nineteen in ANH, which makes her thirteen years younger than Han; Rey was also nineteen and as Kylo/Ben was supposed to be twenty nine he would have been ten years Rey's senior - less of an age gap than Han/Leia.
     
  15. godisawesome

    godisawesome Skywalker Saga Undersheriff star 6 Staff Member Manager

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    Dec 14, 2010
    There *are* films that are exactly what the director wanted rather than the studio - sometimes a producer simply puts their faith in a director and let’s them go to town, mostly just rubber stamping stuff on the way out the door. I think that’s mostly what Abrams got in TFA (mitigated somewhat but he fact he was a producer and using his own production company as well) and what Johnson got in TLJ overall (since he’s been pretty vocal about being pleased with the arrangement.

    I do, however, wonder if Rian Johnson might have been “briefed” on the ST in a way that drove some of his TLJ decisions. While I think he’s a bit too casual and self-assured about many problematic aspects of the story for them not to be things he created largely by himself, the disconnect he has to “counterarguments” might well arise from LFL making their own expectations clear and constructing his own off that. If they convinced him their view of how valuable the new characters were and how they thought they would naturally be prioritized (possibly even unintentionally), he might just have started form that troubling point.

    I still feel the shocking degree of awfulness in Rey, Finn, and Kylo’s story mostly comes from him genuinely having a soft spot for Kylo and a blindness for them; there are, sadly, many ways to force a Reylo romance and Finn demotion without being nearly so boringly apathetic towards Rey and Finn, nor nearly so presumptuously “ship-happy” about Kylo.
     
  16. Daxon101

    Daxon101 Force Ghost star 6

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    Jan 7, 2016
    I will always argue that Finn had a better story arc in TLJ than he did TROS. i don't think Rian Johnson hurt Finn at all. he gave Finn MORE than he got in the next movie for crying out loud. the only reason people don't notice is that Finn is with Rey and Poe which gives the illusion of being a big part of the events. Least in TLJ he got his cool moment that was just his.
     
    Last edited: May 2, 2021
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  17. alwayslurking

    alwayslurking Jedi Grand Master star 4

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    Jan 21, 2019
    To me there was a telling shift around the time of those October/November re-shoots. Daisy was comfortable firmly espousing her clear disdain for Reylo prior to that time. JJ and DR and even JB all seemed more comfortable with the narrative. Then, after the reshoots, Daisy starts having different talking points in regards to Reylo. The entire cast seems incredibly uncomfortable. JJ seems to become completely disconnected in the lead up (which is very unusual for him). I would be shocked if the kiss wasn't added by a panicked LF in reshoots (it was never mentioned in the very accurate JP leaks).
     
  18. Daxon101

    Daxon101 Force Ghost star 6

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    Jan 7, 2016
    I don't think the cast were that hung up on Reylo. whether they agreed with the kiss is each to their own really. but from a storytelling perspective, Rey and Ben connected how they did.
     
  19. sian1965

    sian1965 Jedi Master star 4

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    Apr 26, 2020
    I actually think RJ developed both Finn AND Poe in TLJ. I'm genuinely saddened that we never got to see Finn 'going undercover' and leading a stormtrooper rebellion, and by the time Poe became general in the Resistance it was too late in the day to actually see how different it might have been under his leadership.

    It never ceases to amaze me how major a character Poe became when he was slated to die in TFA!
     
  20. JoJoPenelli

    JoJoPenelli Chosen One star 6

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    Aug 14, 2000
    Right. Not the same age difference as Han and Leia. I noted that because some mistakenly think the difference is the same and part of a deliberate romantic parallel. Which it wasn’t.

    However, Han/Leia was 70s/80s and was developed in a way that would be considered unacceptable in a family film nowadays. That includes the age gap.

    Irl ofc, 10 years is not an unheard-of age gap in couples. But when making narrative choices for modern film, age gaps tend to be smaller.

    As Alan Dean Foster opined, JJ had intended Rey and Finn to end up together. Finn being just a few years older than Rey is more consistent with this than had Finn been Kylo’s age.

    ETA: @godisawesome

    I’m not saying studios always micromanage or otherwise interfere - I’m noting that ultimately they have the power and control. And if someone about a movie makes them dissatisfied or unhappy they have the power to change that. That also makes them responsible for anything objectionable that ends up in the movie.

    I deeply dislike TLJ and don’t like RJ but everything I dislike about his style and how TLJ turned out can and should be laid at the feet of Disney and LFL. (They’re not shy about completely redoing movies, remember.)
     
    Last edited: May 2, 2021
  21. godisawesome

    godisawesome Skywalker Saga Undersheriff star 6 Staff Member Manager

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    Dec 14, 2010
    Johnson didn’t develop them at all, just like he didn’t develop Rey or Kylo. In fact, he mostly just reset the board so that executing those kind of ambitious stories was actually less interesting than before he got there: a writer making those exact stories would have found better footing following up TFA rather than TLJ.

    Finn was already in a place where he could do the undercover stormtrooper rebellion tale... and Johnson just halted that, pulled him back a steps, treated Finn’s bond with Rey as a liability, stuck him with an overachieving actor playing a lame love interest, and wasted Gwendoline Christy again. Poe was already a high ranking and mature officer in the Resistance, who actually should have probably been the General right after Johnson wasted Ackbar and put Leia in a coma... and Johnson just ignored that, made him a stereotype, and wrote the military plotline stupidly for 45 minutes.

    With Kylo, just kept him static, but made him shallower and less cool while yanking the story down around him to give him the Royal treatment.

    And Rey? Rey he basically just eviscerated in characterization and made her Kylo’s Harley Quinn... O Harley Quinn were going backwards from her progression (from independent survivor of abuse and major character to codependent supporting character and beaten girlfriend), and had no believable reason for crushing on a monster in the first place.
     
  22. Jedi_Fenrir767

    Jedi_Fenrir767 Force Ghost star 4

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    Oct 16, 2013
    He is also the only one they made decision about killing Luke and after losing Carrie I just find that to be one of the most selfish decisions anyone has ever made while making franchise films. He wanted the last say and decided he got it even though it was the worst decision he could make. So i think a lot of the hate on him is justified. He also has said he could do what he want and was able to tell his story. I do blame DLFL for not having more oversight in crafting the story of the ST
     
  23. JoJoPenelli

    JoJoPenelli Chosen One star 6

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    Aug 14, 2000
    They had oversight. If they gave RJ final say in killing Luke, then RJ is rightly blamed but DLF shoulders more of that blame because they allowed RJ to do that.
    (To be clear - they would not have actually delegated authority to RJ; DLF/Disney ALWAYS had veto power.)
     
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  24. Jedi_Fenrir767

    Jedi_Fenrir767 Force Ghost star 4

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    Oct 16, 2013
    According to Johnson they let him decide and he had entirely free reign in his story which i think was a giant mistake but as such is the case he is rightly blamed for all of his own terrible decisions. RJ said KK left it up to him which I can’t understand and I blame both of them. They both share the blame fairly equally IMO. KK approached the whole ST as a producer and not a studio head and that was a giant mistake she just wanted to get the movies made and did not pay enough attention to content and storytelling.
     
    Last edited: May 2, 2021
  25. FightoftheForgotten

    FightoftheForgotten Jedi Grand Master star 4

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    May 19, 2020
    That doesn't mean that KK and D/LFL didn't have veto power though. It just means they approved of everything. It's not like RJ had the authority to override a veto from TPTB, just that it never got to that point.

    I think someone in a position of power wanted Snoke gone and so RJ obliged them.
     
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