Oh he does not need to disapprove it. How could he after all, when he clearly approves it? Just don't call people's criticism of him "foul motives".
I don’t think Reylo is sexist, I was saying critics were attributing foul motives to Rian, not that the critics had foul motives
He could have solved the mystery by making her a Skywalker. He did not want to because Reylo. He endorsed it 100 percent. The quotes many of us posted have shown how. Here are the Reylo endorsements again. Yes. Or he can just own that he thinks the job of women is to romance and fix evil men.
Here’s a change: all their scenes together in TLJ are played as a psychological horror story, and Kylo ends up acting like Freddy Krueger towards Rey, given his greater experience with the Force and evil nature. Like he starts haunting Rey in scenes where she’s with other people, taunts her about Finn and Han, and even keeps trying to violate her mind for more information. Boom. Loathsome villain gets fully embraced as a bad guy. Or, maybe even better - Rey does start to see Kylo and interact with him… but since Snoke’s creating the connection and has brainwashed Kylo, Rey begins to experience Kylo’s hallucinations so we see what drove Kylo mad, creating sympathy for Ben Solo but also explaining why Kylo is crazy and evil, and creating opportunities for the audience to get freaked out with visual effects. Ha! Yup, Rey just being deeply devoted to musical instruments would be a 100% improvement; yes, it’d be a weird, farcical kink… but at least she wouldn’t be a suicidally stupid masochist with bland taste in torturers. Eh, I’d say he needs to either disapprove of it or at least write it competently if he wants his story taken seriously, either for narrative purposes or for his meta-commentary - in a strictly literary and economic sense. Yes, there is a vague, ill-defined moral responsibility that applies to artists given the keys to massive franchises, but I honestly think we can all see that’s just not a route TLJ wants to be judged on - because it would fail. No, what really matters for the purposes of this discussion is the literary merit of his writing for the relationship, and the economic benefits for a large, multi-billion $ franchise. Rey *and* Kylo both become far less interesting and successful properties when a relationship is ordered between them without any actual art to it’s construction, as is the central conflict between the, and the story in general - it’s no longer a story, but just a series of random events involving caricatures rather than characters. And audiences don’t need millions of dollars spent on sexist, paper-thing stories and characters - they can find that online for free. The great potential of Reylo, as a concept, is in a dynamic, complex, and thoroughly developed story that embraces all POVs; *if* soemone wrote a story where Rey actually had a reason to sympathize with Kylo, struggled with her hate toward him, juggled the pragmatic pros and cons of being his ally, while Kylo was catalyzed to investigate his madness by Rey’s presence, and struggled between growing dark side power and instinct alongside an rekindled desire for something more righteous… then they might actually write something worth an audience’s attention. But of we’re just having someone grab that Bad Guy Space Wizard’s action figure and the Good Girl action figure and make them kiss with nothing more than childish wish fulfiment… Well, then we’d be better off just watching Spaceballs. At least there, we’re allowed to laugh at Dark Helmet being a charmless, self-absorbed dweeb.
Then what is it? Healthy? Romantic? Equal? Rian has literally said: OK, I need to get these two talking. But if I put them face to face they’re going to either fight, or one of them has to be tied up.' So I knew I wanted them to talk, and to talk enough to where we could go from 'I hate you,' to her being forced to actually engage with him. Why is it that Rey needs to be tied up? Why is it that the woman has to change her feelings for a man, against her will? Why is it that the gods demand her to engage with Kylo? Why doesn't Rey have a choice in the matter? Why does Kylo take his shirt off? Why is that as soon as he does, Rey is written to magically forget everything else, as if Kylo's body is all that matters? Why is it that it's Rey has to change her feelings at all? That has to go from "I hate you" (which is perfectly fair, since Kylo abused her, tortured her, tied her up, paralyzed and kidnapped her, lied to her, tried to murder her ... just yesterday) to her being forced (against her will, by the Force) to engage with him, and feel romantic feelings for him?c Rian wrote this on purpose. Why? We know that in other interviews he has said that he supports Reylo, and intended this to be a romance. He's also told stories of how he had to correct John Williams that the audience needed to believe Rey's belief in this romance. How is this not sexist? How is this a romance for Rey? (And not just further abuse) If Rey has to be tied up, and forced to feel these things, how is this an equal relationship? How is Ben's manipulation (which Rian has described as honesty) of Rey not sexist? It's only a romance for Kylo since Kylo still has free will. Kylo wants to engage with Rey. He makes her uncomfortable but does not care. Rian only cares about Kylo's feelings. Rey is being forced to feel these things against her will, despite being uncomfortable. Why doesn't Rian write that Kylo has to change his feelings as well? Why doesn't he write that Kylo try to engage with Rey? Why doesn't he write Kylo as treating Rey nicely? Why doesn't he write Kylo apologizing to Rey for his behavior, in order to get her to like him? Or to make amends? In his "one of them has to be tied up" why does Rian immediately assume it's Rey - the woman - who needs to be tied up against her will, because if he doesn't she will just fight him? Why is that his solution? Where in any of the story does Rian pull back and say 'this is sooooo wrong"? "this isn't healthy", "you're not supposed to root for this"."this isn't a romance this is abusive" "rey is in deep danger". "Rey needs to escape this' No where. Because Rian doesn't see it that way. Rian only cares for Kylo's health and well-being. Kylo needs to be saved. That's all that matters. And that, is sexist. If you disagree, then you have a major task here. You're gonna have to explain how this isn't sexist. How all of this is healthy. How Reylo is based on an equal partnership/relationship between two equal people. Not just in universe, but for the audience.
I would name the bad guy “Starkiller”, not the base. He would be the character that became Kylo Ren, the fallen Jedi son of Leia and Han. I also like the dark siders controlling the criminal underworld and a femme fatale Sith from Lucas drafts, but I might change the design.
Is there a nothing option? I genuinely like these movies. Maybe they made some decisions most people didn't like, but I do. That said, if I HAD to make a change, I would change the IX title to Duel of the Fates, 'cause it sounds cool.
The problem with Duel of the Fates as a title (although it sounds cool) is that we know it refers specifically to Anakin... and Anakin is as removed from the ST as Gandalf...
Well it refers to Anakin, but its not Anakin's theme, its basically an underlining message. Which could mean anything
I would have made Rey the biological daughter of Luke Skywalker i dont know what JJ plan was in making her a Palpatine if he could make her a Palpatine why not a real Skywalker? the franchise is the Skywalker story is not about Palpatine a Skywalker should have been the protagonist i dont care if Luke failed to rebuild the Jedi Order if Rey was the one in doing that fine i wouldnt have had a problem but she should have been Luke daughter
Duel of the Fates IS a cue that is specifically designed to reference Anakin's fate. I don't like the casual misuse of themes and narrative anyways... and I'm certainly glad they didn't have it as a film title, unless explicitly referencing Anakin Skywalker of course... and if that were the case, then yes.
Considering the discourse I saw about how Han/Leia was bad and wrong but Rey/Kylo wasn't, yeah, I think you'll be waiting awhile. I well remember the week of "Reylo is hot" posts across the entertainment online media. Including freakin' Jezebel saying it was great. At least there were later posts with people upset that they'd done so.
I don’t have to explain how it’s healthy. I think it’s a toxic relationship, I just don’t think anything is sexist about having a toxic relationship in a movie
I think that Kathleen Kennedy would have been better off if she had told both Rian and J.J. that she planned to bring Palpatine back. That way, they could have made this trilogy make more sense. But if I had my way, I would have had Karen Traviss, James Luceno, and Matt Stover basically write a three-part screenplay and have someone interpret it as a trilogy. I think something like that would have been a better method. Now, just to be clear, Sequel-bashing is not the same as Prequel-bashing. The reason people got all upset about the prequels in the 2000s was due to the fact that George Lucas did not think through some things in TPM and especially AOTC. He did learn from his mistake and he put considerable thought and direction into ROTS, and that was good for Hayden, Ian, and Ewan. The issue here is that TFA was quite good, and the inconsistencies of TLJ and TROS make TFA less good. It's not a trilogy. It's a mess. So, if I had to rate the ST, I'd give TFA an 86, TLJ a 27.5, and TROS a 46. You see, that's not passing. In contrast, I'd give TPM an 83, AOTC a 75.5, and I'd give ROTS a 92.8. So, that's passing. I mainly give TLJ a 27.5 due to the fact that the film looks good, and I wondered what I did like about it. I guess the visuals and the way Andy Serkis performs Snoke. Otherwise, Daisy Ridley's talent makes Rey believable, but she regresses in terms of the strength she had in TFA. She is redacted into tragic figure. Honestly, as much as I praise R1 and I'm fond of Solo, it's due to the mess of the Sequel Trilogy. R1 is probably behind Frozen II, Dark Phoenix, and Django Unchained as far as my favorite movies of the 2010s are concerned. TLJ is a film I detest as much as X-Men: The Last Stand and 1997's Batman and Robin. I think there are a few things I can actually be fond of in TROS, so that's why it doesn't go below 40. I would have rated TFA higher, like, 89 or 90, if the rest of the trilogy didn't weigh it down. My avatar is about Ahsoka Tano gaining muscles caring Star Wars. And Ahsoka is not the most complex or even most mesmerizing character in all of time and space. The reason people love her is because she had to grow up fast, she cared about Anakin, and despite being an alien, she behaves in a very human and believable way. She's pretty much a Grey Jedi Knight, even though she doesn't consider herself a Jedi. It's like she took the good stuff from Anakin and Obi-Wan and managed to make it work for herself. The irony is that Rey was supposed to go in a similar direction. After reading Duel of the Fates, I would have liked to have seen her found a Jedi Order that was very Grey. Whether it was a C+ thing, a B or A, or whatever, it would have been great to see Daisy Ridley pull that off. Plus, it would have been good to see Finn and Poe being the more secular heroes....with Finn rallying former stormtroopers and Poe gradually succeeding Leia. By that I mean the real Leia: the guerrilla fighter who was quick on her feet. Not this dumbed down version of her we got in the ST. I think Carrie Fisher only put up with it because she had a good sense of humor. Carrie could handle those things. Mark Hamill was hurt by Luke's characterization, and I think Harrison Ford only relished playing Han because he finally had some more nuance to him and he was going to be a martyr. The irony is that even though Han is out of character in TFA, it's one of Ford's best performances.
I'd suggest that some may consider it sexist to, for no reason that I can see, out of nowhere, go out of the way of the story and character structure, to burn time in developing a toxic romance, with the first female Star Wars movie main character.
If the story is acknowledging and using the toxic relationship for drama about that tragedy and horror, than yeah, it’s not sexist. The problem is that TLJ’s version of Rey and Kylo is sexist FIRST, which then causes the toxicity, as displayed by the film and director’s inability to admit it’s toxic and abusive nature, which continued into TROS. It’s the fact that the ST can’t portray any of the characters as reacting to Kylo as a sociopathic user and abuser of Rey that makes it a sexist and toxic relationship out of universe, which has its genesis in the simple fact that trying to immediately make Rey crush on Kylo the way TLJ does *is* sexist as well. To fit this thread’s theme… Do you want the events of TLJ to happen while admitting Rey and Kylo have a toxic relationship? Then we need to start by completely overhauling the beginning of their relationship and then how Rey reacts when Kylo reveals his true colors. Have Kylo actually present a mask of an abused and brainwashed victim, perhaps deliberately hitting the same chord that Finn had, and act as though he cares about Rey as a person. Or even just have Snoke say out loud that brainwashed Rey with the Force so she had no choice in the matter. And there porbably has to be a scene dealing specifically with Kylo’s crimes against herself and Finn, since Finn at least is still alive, and ignoring that just adds a bit of racism to the story as well. Just… add anything that provides a reason for Rey to “get over” being violated, tortured, and losing one friend to Kylo and almost another. Then? Have Rey actually react to Kylo betraying her as a human being who hasn’t had Jedi training and now has no reason to hold back on a scumbag who submitted her to torture and violation *again* before taunting her he’ll kill her only remains friends - and try to murder his ***. Or if you don’t want to do that, then have her get actual training from Luke and make Kylo much less of an abusive sociopath earlier.
There isn’t “only one correct way Rey should react to any scenario” that is “like a human being”, even if you don’t like Rey’s actions in The Last Jedi as released.
Humans are flawed. We are not ideal. The desire for perfectionism is only what we wish we could achieve. While we constantly and consistantly mess up.
And that doesn't justify a character being written as stupid for, what some may see as, for the sake of it and/or inconsistent with the characters prior developed structure and character goals.
You’ve got it reversed; there’s a lot of ways to write Rey as a “human being”, while TLJ has about the “only one way” to write her in an inhuman manner regarding Kylo. It takes a unique amount of poor writing to say “a victim of torture, violation, assault, who also lost one friend to her tormentor and almost lost another to him as well will immediately flip into crushing on and serving him because the author wants it that way” and think that's sufficient. And again, the real giveaway here is that what you and I both acknowledge as a toxic, abusive relationship is something that the film and its own creator refuse to recognize as such - which is how we know it’s sexist. And there’s a difference between a “human flaw” and “bad writing.” Human flaws come from human motivations and perspectives, which in writing translate to storytelling elements that are accessible to empathetic audience members because the POV for the characters make sense, even if the motivations are darker and more flawed. …Which is where TLJ has bad writing instead: there is no way to access Rey’s POV and follow why she likes Kylo. People who survive assaults by serial killers or who escaped the SS don’t have a POV that says “I now want them to be my significant other, no questions on my part at all!” And this thread shows there’s plenty of ways to ignore Johnson’s bad, sexist writing, and still accomplish his strategic goals regarding the characters - mostly by actually adding almost anything in since there was nothing there before.